Psalm.27

The traditional Latin text of this hymn for Christmas Vespers is set in wondrously crafted work for divisi chorus with tenor soloist, accompanied by solo violin and cello. Shimmering with beauty and

For seasonal worship or school concerts, this lovely setting of Blake's text focuses on the inherent clash between the corruption of the world and the innocence of youth. The choral verses progress

Extracted from Kim Andre Arnesen's "Magnificat," this luscious setting opens with a hauntingly gorgeous soprano solo. Undulating choral rhythms and sublime a cappella moments make this a piece not to be

This exciting mixed-meter piece is excerpted from Kim Andre Arnesen's "Magnificat." The composer has the voices in unison, two parts and four parts throughout. This variety keeps the excitement going. While

Adapted from the original, Hadyn's recognizable Gloria from Harmoniemesse is accessibly set for SAB voices. Lowered to G from the original B-flat, these ranges sit comfortably in the voice, and the

This exciting setting of the Latin text extracted from the larger Missa Romantica appears in two versions: the first is accompanied as it appears in the larger work; the second is an a cappella version for

This energetic choral work offers an introduction to the traditional Latin text with compound meter and accessible choral parts. Whether chosen for its educational features, its lyric melody, or its

Haydn's eighth setting of the ordinary of the Mass was composed in 1782 for performance in Mariazell, Austria. The brief opening portion of the Gloria has been selected for this anthem, featuring Haydn's

The fourth movement of Dan Forrest's new LUX:The Dawn from on High is now available as a stand-alone octavo. Its jazz-influenced harmonies, infectious rhythmic energy, soaring vocal lines, and

Jeff Trenchard's Gloria in Excelsis Deo is an exhilarating, rhythmically energized and harmonically colorful setting of this well-known Latin text. Church, community, high school, and college

Equally effective a cappella or with the optional piano accompaniment, this dynamic work with the traditional Latin text is a great choice as an opener for either Christmas or general programming. A fanfare

Commissioned by the St. Olaf Choir for the 2016 St. Olaf Christmas Festival, this work is a thanksgiving, a song about the gift of a tiny child that suggests that only the nature of love is changeless. It

The traditional "Gloria in excelsis" text is presented with classical energy and is an accessible choice for churches and schools. This setting is from Jose Mauricio Nunes Garcia's 1811 Christmas Eve Mass

This beautiful addition to the treble repertoire utilizes the time-honored Latin Nativity text but can be performed as a lovely concert work at any time of year. Singers will appreciate the rich

"O light born of light." This traditional Latin text shimmers in a stunning a cappella setting with thoughtful voice leading and cluster harmonies. Accessible enough for concert or service use, it will make

This wondrously beautiful and inviting music embodies the magic and wonder of the Nativity. Based on ancient chant, the modern a cappella harmonies move and explore sonorities that bring colorful dimension

Three verses of the intimate and prayerful Latin text O nata lux de lumine are employed for this lovely a cappella setting. Suitable for Christmas or general programming, this work for mixed choirs

The opening movement of Karl Jenkins' popular "Gloria" for mixed voices and piano.